Title: The Tapestry (Joanna Stafford #3)
Author: Nancy Bilyeau
Publisher: Touchstone (Simon & Schuster)
US Release Date: March 24, 2015
UK Release Date: April 24, 2015
The next page-turner in the award-winning Joanna Stafford series takes place in the heart of the Tudor court, as the gutsy former novice risks everything to defy the most powerful men of her era.
After her priory in Dartford is closed—collateral damage in tyrannical King Henry VIII’s quest to overthrow the Catholic Church—Joanna resolves to live a quiet and honorable life weaving tapestries, shunning dangerous quests and conspiracies. Until she is summoned to Whitehall Palace, where her tapestry weaving has drawn the King’s attention.
Joanna is uncomfortable serving the King whom she has twice attempted to overthrow—unbeknownst to him. She fears for her life in a court bursting with hidden agendas and a casual disregard for the virtues she holds dear. And her suspicions are confirmed when an assassin attempts to kill her moments after arriving at Whitehall.
Struggling to stay ahead of her most formidable enemy yet, an unknown one, she becomes entangled in dangerous court politics. Her dear friend Catherine Howard is rumored to be one of the King’s mistresses. Joanna is determined to protect young, beautiful, naïve Catherine from becoming the King’s next wife and possibly, victim.
Set in a world of royal banquets and feasts, tournament jousts, ship voyages, and Tower Hill executions, this thrilling tale finds Joanna in her most dangerous situation yet, as she attempts to decide the life she wants to live: nun or wife, spy or subject, rebel or courtier. Joanna must finally choose her fate.
Praise for the Joanna Stafford Series
“Illuminated by Bilyeau’s vivid prose, minor players of Tudor England emerge from the shadows.” —Kirkus Reviews
“In The Tapestry, Nancy Bilyeau brilliantly captures both the white-hot religious passions and the brutal politics of Tudor England. It is a rare book that does both so well.” —Sam Thomas, author of The Midwife’s Tale
“In spite of murderous plots, volatile kings, and a divided heart, Joanna Stafford manages to stay true to her noble character. Fans of Ken Follett will devour Nancy Bilyeau’s novel of political treachery and courageous love, set amid the endlessly fascinating Tudor landscape.” —Erika Robuck, author of Hemingway’s Girl
“These aren’t your mother’s nuns! Nancy Bilyeau has done it again, giving us a compelling and wonderfully realized portrait of Tudor life in all its complexity and wonder. A nun, a tapestry, a page-turning tale of suspense: this is historical mystery at its finest.” —Bruce Holsinger, author of A Burnable Book and The Invention of Fire
“A supremely deft, clever and pacy entertainment. This is Nancy Bilyeau’s most thrilling—and enlightening—novel in the Joanna Stafford series yet.” —Andrew Pyper, author of The Demonologist and The Damned
“A master of atmosphere, Nancy Bilyeau imbues her novel with a sense of dread and oppression lurking behind the royal glamour; in her descriptions and characterizations… Bilyeau breathes life into history.” —Laura Andersen, author of The Boleyn King
"Nancy Bilyeau's passion for history infuses her books and transports us back to the dangerous world of Tudor England. Vivid characters and gripping plots are at the heart of this wonderful trilogy, and this third book will not fail to thrill readers. Warmly recommended!" —Bestselling author Alison Weir
According to what I hear from fellow authors, bloggers, critics and industry wags, book editors are laying down the law: We want more conflict! It’s all about higher stakes now. Drama. Heightened tension. Put your protagonist at greater risk than you ever thought possible. And then ratchet it up again
To meet the challenge, writers are booking seats at Donald Maas workshops and buying his book, Writing the Breakout Novel, like crazy. One successful mystery-author friend who swears by Maas confided that before she’s done with a book she shuffles all the pages until they’re completely out of sequence and then reads each one to make sure there is conflict on every single page. Other friends plot their books with multi-colored index cards and arrows and circles, making sure to squeeze the drama out of every single moment.